| Introduction
| Timeline
| Materials |
Themes | Teacher's
Notes | Bibliography
| Exhibitions | Glossary
Materials
& Techniques
Crouched Figure, steatite, 1923

Karl
Duldig created ‘Crouched Figure’ while a student
of the master sculptor Anton Hanak at the Kunstgewerbeschule
(College of Arts and Crafts) in Vienna. This is one of his earliest sculptures. Before
his wife, Slawa left Vienna
in 1938, she arranged for all the contents of their
apartment to be packed. They were taken to Paris by her sister, Rella, who had married a Frenchman, and remained hidden
in a cellar throughout World War II, finally arriving in Australia
many years later.
The
work was carved from steatite
- also called soapstone - with
a knife rather than the traditional hammer and chisels used
for harder materials such as marble. The figure emerges from
the original shape of the stone. Duldig followed Anton Hanak’s
method of carving directly into the stone without preliminary
drawings, models or maquettes.
‘Crouched Figure’ appears to almost struggle from
the stone and illustrates Hanak’s guiding principle
that the material itself should play a significant role in determining
the final form of an artwork. This requires a great deal of
technical skill as well as artistry.
What does the name ‘soapstone’
suggest to you about the nature of this material?
Knowing that the piece was carved using a knife, what qualities
do you think the material may have?
Look for descriptions of steatite or soapstone in the glossary
and other reference books and try to find other works (both
in this exhibition and in other collections) that have been
created in this medium. Can you find any similarities between
this and other works using steatite or soapstone, for example
in their subject matter or the technique that has been used?
Where
is steatite or soapstone found? Describe similar materials
that are available in Australia.
Can
you find the portrait of Rella in the exhibition? Describe
the appearance of this piece and consider the technique and
materials Duldig used to create it. What meaning do you think
this piece may have to the story of Karl Duldig and his family?
|